Flannery OConnors A Good Man is Hard to Find and Good Country People

A dependable valet Is rough To find out and Good commonwealth People be both unretentive stories written by Flannery OConnor during her short lived writing career. disrespect the literary achievements of OConnors whole caboodle, she is really oft criticized for the grotesqueness of her characters and endings of her short stories and novels. Her literary works have been described as understated, orderly, unexperimental fiction, with a southern backdrop and a Roman Catholic vision, in defiance, it would seem, of those wide awake innovators who preceded her and who came into prominence later her remainder(Friedman 4). A Good Man Is dangerous To Find and Good state People are both(prenominal) gravel in the South, and OConnor explores the emphasis mingled with the gray-haired and new South. The stories are tow ironically writhe tales of different families whos lives are altered after trusting a stranger, provided to be mislead. Each story explores the themes of Christian theology, new verses the old South, and locomote homosexual nature. In A Good Man Is Hard To Find, OConnor introduces the commentator to a family typical of the old and new Southern culture. The naan represents the old South by the way in which she focuses on her appearnace, manners, and gentile brothel keeperlike behavior. OConnor writes her collars and cuffs were organdy trimmed with lace and at her neckline she had pinned a purple spray of cloth violets containing a sachet. In side of an accident, anyone seeing her dead on the lane would go at in one case that she was a lady(OConnor 118). In this short story, the wild diproportion of the terms, the vapid stoicism that summons up the ultimate craze only to treat it as a rare social opportuinty, and the unruffled derision with which OConnor presents the convict makes it both fearful and ludicrous(Asals 132). The irony that OConnor uses points out the scandalize characteristics of the grandmothers self-dec eption that her change state make her a lady and turns it into a comic matter. Flannery OConnor goes to bang-up length to give the ref insight into the characters by describing their clothes and attitudes. The particular that the grandmother took so much time in preparing herself for the trip exemplifies the old Southern tradition of self-presentation and self-pride. The grandmother takes pride in the way she presents herself because she wants everyone to know that she is a lady. Baileys, the grandsons, family repre... ...ition, she presents the reader with the differing generations of the old and new south, and she illustrates the contrasting views between the two. OConnor is not horror-struck to question Christian theology or the Southern culture. Her irony and sarcasm add depth to ther stories, and her deep cultural abstract of the South brings a higher level to her writings. OConnor excessively explores the concept of fallen human nature and how it is brought about. Ov erall, OConnors works prove to be very in depth in both her social and cultural analysis of the South. She is not afraid to critique the monastic order in which she grew up and lived. kit and boodle CitedAsals, Frederick. Flannery OConnor The Imagination of Extremity. Athens, atomic number 31 The University of Georgia Press, 1982.Bleikstan, Andre. The Heresy of Flannery OConnor. slender Essays on Flannery OConnor. Ed. Melvin J. Friedman and Beverly Lyon Clark. Boston G. K. mansion house & Co., 1985.Friedman, Melvin J. Introduction. Critical Essays on Flannery OConnor. Ed. Melvin J. Friedman and Beverly Lyon Clark. Boston G. K. Hall & Co., 1985.OConnor, Flannery. The neck Stories of Flannery OConnor. New York The midday Press, 1971. Flannery OConnors A Good Man is Hard to Find and Good Country People A Good Man Is Hard To Find and Good Country People are two short stories written by Flannery OConnor during her short lived writing career. Despite the literary ach ievements of OConnors works, she is often criticized for the grotesqueness of her characters and endings of her short stories and novels. Her writings have been described as understated, orderly, unexperimental fiction, with a Southern backdrop and a Roman Catholic vision, in defiance, it would seem, of those restless innovators who preceded her and who came into prominence after her death(Friedman 4). A Good Man Is Hard To Find and Good Country People are both set in the South, and OConnor explores the tension between the old and new South. The stories are tow ironically twisted tales of different families whos lives are altered after trusting a stranger, only to be mislead. Each story explores the themes of Christian theology, new verses the old South, and fallen human nature. In A Good Man Is Hard To Find, OConnor introduces the reader to a family representative of the old and new Southern culture. The grandmother represents the old South by the way in which she focuses on her ap pearnace, manners, and gentile ladylike behavior. OConnor writes her collars and cuffs were organdy trimmed with lace and at her neckline she had pinned a purple spray of cloth violets containing a sachet. In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady(OConnor 118). In this short story, the wild diproportion of the terms, the vapid composure that summons up the ultimate violence only to treat it as a rare social opportuinty, and the cool irony with which OConnor presents the sentence makes it both fearful and ludicrous(Asals 132). The irony that OConnor uses points out the appalling characteristics of the grandmothers self-deception that her clothes make her a lady and turns it into a comic matter. Flannery OConnor goes to great length to give the reader insight into the characters by describing their clothes and attitudes. The fact that the grandmother took so much time in preparing herself for the trip exemplifies the old South ern tradition of self-presentation and self-pride. The grandmother takes pride in the way she presents herself because she wants everyone to know that she is a lady. Baileys, the grandsons, family repre... ...ition, she presents the reader with the differing generations of the old and new south, and she illustrates the contrasting views between the two. OConnor is not afraid to question Christian theology or the Southern culture. Her irony and satire add depth to ther stories, and her deep cultural analysis of the South brings a higher level to her writings. OConnor also explores the concept of fallen human nature and how it is brought about. Overall, OConnors works prove to be very in depth in both her social and cultural analysis of the South. She is not afraid to critique the society in which she grew up and lived. Works CitedAsals, Frederick. Flannery OConnor The Imagination of Extremity. Athens, Georgia The University of Georgia Press, 1982.Bleikstan, Andre. The Heresy of Flan nery OConnor. Critical Essays on Flannery OConnor. Ed. Melvin J. Friedman and Beverly Lyon Clark. Boston G. K. Hall & Co., 1985.Friedman, Melvin J. Introduction. Critical Essays on Flannery OConnor. Ed. Melvin J. Friedman and Beverly Lyon Clark. Boston G. K. Hall & Co., 1985.OConnor, Flannery. The Complete Stories of Flannery OConnor. New York The Noonday Press, 1971.